Warner Oland, not the first actor to play the great detective Charlie Chan on the silver screen but the man responsible for creating his look, demeaner and countenance in some sixteen Chan films, died in August of 1938. Mr. Oland’s health had been slowly declining and he reportedly walked off the set of “Charlie Chan At The Ringside”, (eventually completed as “Mr. Moto’s Gamble” with Peter Lorre,) to eventually return to his native Sweden where he passed away in Stockholm. Meanwhile executives at 20th Century Fox had no intention of letting this most successful film series, (Chan movies reportedly earned over one million dollars each for the studio,) slip away and the great Charlie Chan casting call was announced. The man eventually selected to replace Warner Oland was the relatively obscure non oriental actor, Sidney Toler of Missouri. Fortunately with the release of Mr Toler’s first Chan film in 1938, “Charlie Chan in Honolulu”, it quickly became obvious that the film series was in good hands for what patrons wanted most was to see their favorite detective Charlie Chan’s further adventures. Which brings us to this wonderful fourth DVD release in the Fox collection of Charlie Chan films. With the passing of Warner Oland, studio executives decided to take a fresh look at the Charlie Chan series. Keye Luke, who had performed most admirably as Number One Son – Lee, would be replaced by Number Two Son – Jimmy, played with great panache and vigor by Sen Yung. Mr. Oland’s somewhat introverted Chan character became more extroverted in the capable hands of Sidney Toler. With the 1939 production “Charlie Chan in Reno,” the series hit its stride with well acted, written and directed productions. Following Reno is perhaps the most interesting Chan film of all, (IMO,) “Charlie Chan at Treasure Island.” With a splendid cast to include Cesar Romero as The Great Rhadini and the exquisitely lovely Pauline Moore as his assistant Eve Cairo, this 1939 production uses the “Golden Gate International Exposition On San Francisco Bay” as the backdrop for one of the cleverest Chan mysteries of the entire series. The fourth film in this box set serves in a way as a Charlie Chan wake-up call to a 1939 world on the brink of war, “Charlie Chan In The City of Darkness.” Having already visited Paris in 1935, this Chan adventure finds Mr. Toler in the company of the great character acter Harold Huber. Paris is now a city in blackout and the race is on to prevent a weapons cache from falling into the hands of ????? All the more reason to enjoy this fourth set in the continuing Charlie Chan series rom Fox. Best regards, Hal Owen.
Charlie Chan was originally created by novelist Earl Derr Biggers (1884-1933), who very loosely based the character on Hawaii’s legendary police officer Chang Apana (1887-1933.) Biggers wrote six novels in all, and after several false starts 20th Century Fox (then simply known as Fox) hit on the right combination of actors, mystery, and comedy. The result was perhaps the single most popular film series Hollywood ever created.
Between 1931 and 1938 Chan was played by noted character actor Warner Oland. When Oland died, 20th Century Fox scrambled to find a new actor for the role–and ultimately assigned the part to Sidney Toler, who was well-regarded on stage but little known through films. In Toler’s hands the character became less formal and the films began to emphasize comedy to a degree not previously seen. Some fans rebelled at the change, and even today fans continue to argue the merits of Oland vs. Toler. Even so, most fans would agree they enjoy both actors in the role.
The fourth installment in Chan film releases to DVD, this particular includes the first four films made by Toler: CHARLIE CHAN IN HONOLULU (1938), CHARLIE CHAN IN RENO, CHARLIE CHAN AT TREASURE ISLAND, and CHARLIE CHAN IN THE CITY OF DARKNESS (1939.) Fans will find all of them enjoyable, and two of the four easily rank among the finest films in the series.
Producers felt it would be wise to “ground” the newly cast Toler by having his first film set in Hawaii. Directed by H. Bruce Humberstone, who had done several of Warner Oland’s most successful films, this entry finds Chan sent aboard a ship to unravel theft and murder among the likes of George Zucco and Phyllis Brooks–while coping with the unhelpful aid of newly cast Victor Sen Yung as son Jimmy. Although enjoyable, this film has a faintly cautious feel, and certainly Humberstone adds little of his famous touch to the efforts. With RENO, however, Toler hit his stride, and the result is a fascinating, witty, and clever murder mystery set in what was then the “divorce capitol of the world,” with actress Pauline Moore suspected of murdering romantic rival Louise Henry. Actors Slim Summerville and Eddie Collins provide memorable comic relief!
TREASURE ISLAND is generally regarded as the best of Toler’s Chan films, and with much good reason. Although the plot has quite a few holes, it is quite fascinating in its tale of a phoney psychic who blackmails clients to suicide; unlike many Chan films it has impressive production values, particularly re lighting; and the cast is superlative, with Cesar Romero and Pauline Moore standouts. In terms of plot, CITY OF DARKNESS is somewhat routine–but in terms of context it is astonishing, one of the first Hollywood films to take an open stance against Nazi Germany in this tale of espionage and murder on the eve of a possible German invasion of France.
As in previous DVD releases, the remastering of the films is quite good, if not entirely pristine, and the various DVDs come with numerous bonus features. Unfortunately, however, these are not always as interesting as they have been in the past, with the audio commentary re TREASURE ISLAND tiresome at best and the audio reconstruction of CHARLIE CHAN’S COURAGE (a lost film) little better than what you might expect of Ed Wood. Even so, there are numerous items of interest: a brief bio of Toler and of actress-writer Kay Linaker; items on Reno; and items on the real Treasure Island of San Francisco, among others.
Contemporary audiences tend to view the films as politically incorrect, but the fact remains that Chan and his family–most often personified by Keye Luke as son Lee and Victor Sen Yung as son Jimmy–were among the very few positive Asian characters on American movie screens at the time; as such they were particularly popular with Asian-American audiences of their day. Like all other films, Chan movies must be seen within the context of their times, and as such offer a frequently entertaining and often fascinating window in time. Recommended.
GFT, Amazon Reviewer
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